Here is an author that has every chance to move up the list, since he is still alive, writing, and producing novels like ‘A Killer in the Wind’ and ‘Agnes Mallory’ as well as his past contributions to the true crime genre such as ‘The Scarred Man’ and his excellent thriller-type novels Dynamite Road, Shotgun Alley and Damnation Street . These novels fit very well into my criteria for good and great novels. The language flows, he doesn’t write down to the reader. The plots are powerful. I think good book plots should be like a feast of steak and garlic and olives, maybe some cumin: strong flavors and bright colors. Leave out the drab everydayness of most authors.
All the ingredients of a good novel (From Wiki Commons)
Now, Kipling, the other #9 in discussion and much praised by Medieval Otaku, is certainly an author of note. As you read that post, keep in mind that the author, praising Kipling so much, has not even touched a book by Klavan. Now I grant that the two story Barns and Noble is impressive, but the fact that they are missing Klavan is not. There is a reason that big bookstore chains are going out of business… They only provide bad copies of old authors and massive numbers of copies of the standard pulp writers that they feel safe with. Klavan is a controversial author to most publishers and booksellers (and libraries) because he is unabashedly conservative and Christian (and almost entirely politically incorrect. Before I move on and briefly mention two books by Klavan that I thought were great, I do want to mention that of the two of us, Medieval Otaku and I, I am the only one who has read both Kipling and Klavan. Kipling is often a lot like oatmeal, healthy, strong and filling, but bland. Try to read any of his little known stories like ‘The Light that Failed’ and you will see why Kipling does not rank on my list. His only really common story that people know is The Jungle Book, and they know a mutilated Disney version… Klavan, on the other hand, generally serves powerfully flavored foods that are also healthy. Some of his books are certainly dessert, but none are gruel.
There are two novels that stand out in my mind, the first partly because it was the first book by Klavan I ever read (The Uncanny) and the second he mentioned as one of his favorites. Despite the fact that most authors are really crappy about picking their best works, Agnes Mallory definitely is one of his best. I won’t say the best, because I always hope for better. I want to move him up the list sometime.
The Uncanny: Other than being a wild and uncanny ride, it is difficult to write something engrossing and valuable at the same time, and yet, in this novel Klavan succeeds. (He does it in Agnes Mallory as well.) I will copy something I wrote for The Dusty Thanes about the Uncanny. One of the characters has a medieval document who’s author writes about damnation and salvation.
This character [the author from above] writes … very poignantly about damnation. In his writing, essentially his last words, he reveals his knowledge that he is damned, and also his knowledge that with repentance, Christ’s sacrifice and love would redeem him despite his horrible crimes (and believe me, they are vile) and he rejects salvation through pride and fear and loathing of God, and willfully chooses damnation. This scene shakes the reader, makes the reader tremble with the awfulness of damnation, and effortlessly shows the orthodox Christian understanding that humans damn themselves.
Agnes Mallory: The only story that dealt with madness anywhere nearly as well was Stephen Kings ‘N’. However, Agnes Mallory has a serious advantage. One of Andrew Klavan’s consistent themes is the importance of people’s past, and culture’s past, to their present and their futures. King’s constant theme is the futility of human action, and the difference is clear.
The last point I would like to make for Klavan is that he is one of the few good Christian novelists currently working. Klavan is fighting the cultural fight that so desperately needs fought. A common mistake that Christians make is to excuse their lack of excellence in something by saying ‘well, its for God, so the heart is what matters.’ This is absolutely not the case with Klavan, perhaps because he was an author before he was a Christian: and that is a sad assessment of the state of Christian authorship.
In any case, I am greatly looking forward to ‘Nightmare City’ out soon…